World, that is for the followers of a small Mennonite community in Argentina, all that is outside, beyond their community, where the "worldmen" live. Their everyday life is determined by an attempt to ward off everything modern, a life without electricity, machines and communicative media, a school whose only books are the Bible and the Catechism. Nora Fingscheidt takes this life in the eye and lets it be told by those who live it - in different degrees of devotion. In the process, it is not least apparent how a life-style, which has devoted itself entirely to the departure from this "world," is formed around it. And then, between the pictures and the words, a gap opens, in which the longing for a more destitute life, as well as the fear of a sad departure, becomes perceptible.
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5 / 10