On three separate projection surfaces, Aladağ creates a large-scale sound-and-image portrait of the city of Stuttgart, the place she spent her childhood and adolescence. Here we encounter, for instance, an accordion that plays as it unfolds along the length of a lamppost, or a frame drum that rolls loudly through a park landscape. A flute trills asit sails off into the sky with a balloon; the chestnuts in a chestnut tree play a gong and a violin turns on a merry-go-round. Traces is fascinating especially in moments of the orchestrated interaction of only partially controllable sounds.